Omnia Salah
The Aesthetics of Imperfection Glitch Art in Three-Dimension Forms as a Creative Design Tool
Published in June 2019 (Egypt), English, 9 pages, ISSN 2090-9640.
While glitching as a medium for art is established, there is still much room for discussion on how glitching practice may be carried out. How can we apply accidental errors to form digital three-dimensional forms? is it applicable? in how much those errors can improve creativity and open new paths for three dimensional artists? in what ways may software development, made conducive to this kind of artistic creativity? This paper aims to explore glitching in three-dimensional forms as a creative design tool that can help artists and designers to follow new paths in digital aesthetics.
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The Aesthetics of Imperfection Glitch Art in Three-Dimension Forms as a Creative Design Tool
Published in June 2019 (Egypt), English, 9 pages, ISSN 2090-9640.
While glitching as a medium for art is established, there is still much room for discussion on how glitching practice may be carried out. How can we apply accidental errors to form digital three-dimensional forms? is it applicable? in how much those errors can improve creativity and open new paths for three dimensional artists? in what ways may software development, made conducive to this kind of artistic creativity? This paper aims to explore glitching in three-dimensional forms as a creative design tool that can help artists and designers to follow new paths in digital aesthetics.